Artist: Vlad Rodriguez
Set of lobby cards from the French theatrical release of The Shining.
None of these images are taken from the finished film. They are all frames from alternate, unused takes.
In Vivian Kubrick’s documentary on the making of The Shining, several crew members can be seen wearing a black sweater with “The Shining" in red letters, and a white hawk hovering above the text. The hawk is a nod to Stanley Kubrick’s production company, "Hawk Films Ltd."
These custom sweaters were given as gifts by actor Jack Nicholson to everyone on the crew during the production.
Caution: Adult Content
Clip of Jack visiting Room 237, excerpted from the original Japanese laserdisc edition of The Shining.
Joan Honour Smith, the photo retouching artist who composited Jack Nicholson into the vintage photo at the end of the film, recalled that Stanley Kubrick was particularly incensed by this clumsy attempt at censorship.
Cover art for a fictitious Criterion release of The Shining.
Artist: Gary E. Irwin
Syndicated newspaper column written about three weeks after The Shining opened in the U.S.
Like most of Stanley Kubrick’s films, the initial critical reaction was very mixed. While the film had its proponents, most of the reviews derided the film for being banal, slow, and too loosely adapted from Stephen King’s novel.
While opinions still vary on the film, and debate still rages about the relative merits of the book versus the film, The Shining has cemented a place for itself among the classics of modern cinema, and is still being talked about nearly thirty-five years after its release.
Artist: Trent Stocking
Winter coat wardrobe from The Shining, worn by actor Scatman Crothers during the shots where he lies dead in a pool of blood.
The coat was sold to a crew member after production. He took it home to his mother, who washed out the stage blood and sewed up the gash. He wore it for a number of years before offering it up as a piece of movie memorabilia.
The coat is currently in the collection of The Caretaker.
Continuity Polaroid of actors Scatman Crothers and Danny Lloyd on the Kitchen set of The Shining.
Artist: Alex Cohen
'The Overlook maze is the only maze to be planted this century. It consists of over a mile and a half of pathways and can take up to 90 minutes to find your way out from the center. However, there is a system by which you can more easily find your way out. Whenever you come to a new junction, take any path you like. Whenever you come by a new path to an old junction, turn back. But, whenever you come by an old path to a new junction, take a new path.'
Artist: Matthew Rabalais
When Danny first ventures into Room 237, a painting can be seen reflected in a mirrored door just inside the room. The painting is titled “Boy, Dog And St. John River” (1958) by Canadian artist Alex Colville.
Colville’s paintings are often described as having a subtly unsettling quality, which is perhaps why Kubrick chose to feature them in The Shining.
Colville died in 2013 at the age of 92. After his passing, his son, Graham, remarked:
“I must say, I (felt) slight surprise when I saw Stanley Kubrick’s film The Shining and I suddenly realized my father’s paintings were in the background in numerous scenes. They were implanted in that film as almost subliminal messages.“
Artist: Ellia Ana Hill